L’idolo, l’icona e la donazione nella visione di Jean-Luc Marion

The approach with which Marion approaches Thomas’s Aquinas theology at the beginning of his phenomenological journey bears the imprint of Heidegger’s critique of onto-theology, but also of his personal hostility to the conceptual idolatry and atheism manifested in Nietzsche’s philosophy. What Marion contrasts with the conceptual idol is the icon and iconic thought. If the idol comes from looking at it, the icon looks at us, calls forth the vision, letting the visible become saturated with the Invisible. According to Marion, conceptual idolatry still seems a dangerous temptation in our times. Metaphysical categories, concepts can function as idols if they are generated by thought as objects appropriate to ‘God’ on the basis of its divine founding function.

DOI: https://doi.org/10.53438/BBVI2481

Dialog 54-2 Robu

Le tappe della critica dell’onto-teo-logia. gli inizi, Jean-Luc Marion e la Radical Orthodoxy

Jean-Luc Marion develops Heidegger’s ideas and his critical approach to onto-theology, including the thought of Thomas Aquinas. At the beginning of this article, we present this topic, which does not seem to lack relevance. Since the critics of ontology refer to Heidegger as a follower or protester, and on the other hand, since we intend to show that the name Thomas Aquinas gives to God does not reproduce the onto-theological determination of metaphysics, we intend to identify the connection between these two sides of the question, as well as to investigate, to some extent, the level of actual knowledge Heidegger had of Aquinas’s thought. In the second part of the article, we do not overlook the merit of the current called Radical Orthodoxy: questioning and renewing the vision of classic themes of theology, such as those of ritual, liturgy, theological language, political theology, the role of Augustine and Thomas, and the theme of authority.

DOI: https://doi.org/10.53438/BBLT7194

Dialog 53-7 Robu

Gabriel-Iulian Robu: Il modello fondativo-contestuale di teologia fondamentale in un’epoca visiva

In this article we intend to find some ideas for an iconic thought in the context of contemporary “visual” culture. Starting from the distinction between the idol and the icon made by Marion and from her perspective on the iconic function of the concepts and the name of God, we will present some traits and gains of the iconic thought, following the orientations of the foundational-contextual model of the School Lateran. The method followed in this path places us within the Lateran School of Fundamental Theology. This model affirms that today is also the opportune moment to put the message of Revelation (the founding moment) in relation to the contemporary context (the contextual moment) in a sacramental horizon. The positive moment, the auditus fidei, is combined with the interpretative-contextual one, auditus temporis, on the way to a reliable intellectus Revelationis in today’s visual culture.

DOI: https://doi.org/10.53438/LYEL5375

Dialog 49-7 Robu