Viorel SAVA: Cântarea şi arta bisericească în tradiţia bizantină. Locul şi semnificaţiile lor în cadrul cultului divin

In the Oriental tradition, divine cult preaches dogma, protects it, expresses it in an easy language and experiments it in liturgical life. Dogma is the one that gives authority, authenticity, profundity to the liturgical prayer. Church singing and Church’s art are both component elements of the divine cult. They do not appear exteriorly in liturgical life like something added after, but in interior like elements belonging to it, and determined by it. After he makes a short review over the different history phases of Church singing, the author offer us a spiritual perspective of understanding church singing like an „angel occupation”, enumerating and explaining some of the works of the singed prayer. Going forward, it is presented an explaining panorama of ecclesiastic art signification within liturgical life, that ends with the salience of the unificating vocation belonging to Oriental singing and art, in a more and more divided world.

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Eduard SOARE: Muzica liturgică – artă devenită rugăciune

Singing is one way through which man use to express his feelings and becomes in Christian liturgy a way of dialogue with God. To underline the importance of the music in religious life, the author makes a short historical incursion starting with Old Testament and ending with the latest documents of the Church. After this incursion, the study makes distinction between liturgical, religious and sacred music. Music has to fit in liturgy, to express the characteristics of Church: internalness, unity and communion. Religious music has to offer the means to express, to live, to transform the liturgic life into pray.

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Lucian FARCAŞ: Rolul cultului şi al culturii în formarea creştinului

The religion cannot be transmitted only in a cognitive or cathechetic way, because it embraces the entire human being and communicates unconditional fundamental experiences for man’s existence and for his life’s meaning, but the religion must be exposed in all the ways that are able to bring it to man and through which man can come in contact with it. The challenge released by the author is simple and, in the same time, complex and powerful: can we use today in our religious didactic presentation other ways than only those with a strict cognitive content? For example, can we searched for access ways to religious values even on esthetic and semiotic ways? The liturgy considered as a concentrate explosion of religion, life unity of contents which are meant to be learned, passing on to „the game” and to „the drama” with biblical inspiration, which are seen as a communication that passes through experience and finishing with a highly important form of spiritual teaching, which is „didactic of private religious practice”, these are just a few important points that the author proposes us in a very original and interesting analyse.

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Iosif ENĂŞOAE: Biserica, loc privilegiat de întâlnire între Dumnezeu şi poporul său

Both in Old Testament’s and in New Testament’s history we can find privileged places of meetings between God and His people. Taking over and fusing synagogue’s and temple’s reality, the Church wanted from eternity by the Father, founded by Christ at the completion of times and guided by Holly Spirit, is Christian’s sacred place, central point which concentrates and gives sense to all existence of the Christian community. In the first moment, the Church made by stone is a building that cathechizes, starting from its geographic location and ending with each architectural element that is present in it. In the second moment, the author sees the Church within divine salvation plan; the Church is a sign of God’s divine will to redeem all mankind, initiative to which the people responds through praise, gratitude and reverence. The article continues with a discourse over the Church as a sacred place of divine presence, and ends with the image of Church, seen as the hope of mankind.

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Emil DUMEA: Monumente paleocreştine din Dobrogea

Based only on archeological sources, numerous and credible, the author gives us a general point of view over Dobrogea’s paleochristian monuments, which bring informations about important and powerful Christian communities. There are analyzed not more than 14 places that had one church at least, which ruins still can be investigated. Very important is the fact that these monuments were build close related with the absolute Christian testimony, the martirage. Next to this places where the archeological traces are still visible and already have been studied, there are another 21 places which are reminded in literary sources of having Catholic communities and churches, but the archeology cannot tell us anything about them yet. In the end of this article there is an interesting point of view about the metropolitan See of Tomis and his jurisdictional and canonical importance over the other episcopal Sees of Scythia Minor.

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Anton DESPINESCU: Saxa loquntur. Mărturii despre trecutul catolicilor din Moldova

The rock, an element that has a great receptivity of recording and durability, has the capacity to open beams of lights in a far away and darken past. In east of Carpathians this simple modality, but very expressive, of preserving a specific way of life, has its importance. Historical, archeological and literary analyse made by the author, dissipates a part of history’s ignorance fog over Moldavia’s Catholics identity. Great churches, such as the Cuman’s Episcopy, or those from Siret, Baia, Săbaoani and Cotnari, ruined by the passing by of time, speak about a Catholic presence in this area. Next to this impressive archeologic informations, there are also literary sources nevertheless important as well, which add their already established partiture to the archeologic harmony.

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Gheorghe POPA: Arhitectura eclezială ortodoxă. Câteva semnificaţii simbolice şi puterea lor de edificare morală

The goal of this study is the interpretation of orthodox ecclesial architecture from its perspective of symbolic significations and their power in Christian’s moral edification. In order to demonstrate that the church is the house of God, the author presents some Church prefigurations from the Old Testament. Thus, first of all, he shows that the church is a organized and devoted space where God meets man. The community which gathers at the Holly Mass around the Chalice is the Church herself, and the presence of Christ in this community is suggested by the architecture and the paintings inside the church. In this way the author underlines the connection which exists between the faithful community and the Church. Communion with Christ in Holly Spirit, integrally lived in Church, slowly and peacefully transforms the human being. The new man is not convinced by faith, but impenetrated by it. This new person is connected with the others by faith, by deeds and by love, and it is capable to contemplate God in all creation like in a mirror.

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Vladimir PETERCĂ: Templul de la Ierusalim

The author starts this article with an actual image of Jerusalem, where are very well represented the three major monotheist religions with their followers: jews, christians and muslims. One after another, the presentation of Jerusalem reveals both geographic location and historical, religious and political importance of David’s throne. This study presents a well documented history of Jerusalem temple building and temple evaluation during its important moments of existence. The author, after he gives us informations about Solomon, the temple’s builder, and about the building process, points out the meaning which the construction of the temple had as a birth certificate and recognition of jewish nation among the nations of Middle East. In the end it is underlined the importance of the temple and Jerusalem itself, and also the role which they had in Jews life as an image of God’s providence among them.

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Ana BLANDIANA, Romulus RUSAN: Anton Durcovici, piatră vie a Bisericii. Dialog realizat de W. Dancă

The keeping of an impressive historical arsenal, mostly unsearched, and also bringing extraordinary vestiges and important witnesses in front of the young generations, making in this way a good exercise of memory, are only two important subjects of the „Sighet Memorial”. With passion for truth and justice, with a remarkable scientifical professionalism, the authors want to tell us that the one who forgets the past is convicted to repeat it, especially in its darkest moments. The bishop Anton Durcovici, in the memory of whom we gather every 10th December, represents the gift of God for the local Church of Iassy, martyr, which means a brave confessor of the Catholic faith, who was not seduced by the temptations of people who did not need God. In this period when we face the stunning information bombardement we must not forget; more over according to possibilities and gifts that we received we must blow out the dust that covers the testimonies of our ancestors, because these testimonies speak to us.

DT144_ANA BLANDIANA, ROMULUS RUSAN

Petru GHERGHEL: Biserica frumoasă este biserica plină de lume. Dialog realizat de W. Dancă

The „church” concept, in romanian language, refers, on one hand, to „the house” where the people of God is gathering, and on the other hand, to the gathering of the faithfuls itself; this dialogue is build in these two directions. The impressive number of churches and pastoral centers which were build or rebuild in the Diocese of Iassy during the communist period, in very difficult conditions, and also after 1990, it would represent nothing else than the work of the faith belonging to the generations in times gone by, if they would not be filled with people now and in the future. The walls, no matter how big and beautiful, cannot bring the worship that the people bring to the Father in spirit and truth. The church is for man and inside man; in the same way, man should be for the church and, why not, inside the church as many times possible.

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